


Two- and three-piece tailoring cut on the House block — softer in the shoulder, longer in the line, finished by a single hand. Each suit is built to be lived in, not displayed.






























Each film is a single take — pressed, not autoplayed.
Cut on the House block — soft in the shoulder, long in the line, finished with hand-stitch along the lapel. The film is a single take in studio light, the cloth doing most of the work.
The House Two-Piece, soft-shouldered, long in the line.
Trousers cut clean to the hem, jacket nipped at the waist without theatre, shirt washed once before it leaves the studio. Filmed against a neutral wall so the rail can read on its own terms.
On the rail — the considered cut, for him.
The same House block, drawn for her: long shoulder, slightly shorter jacket, a clean line through to the trouser hem. Restrained, never costume — the suit reads as cloth, not as statement.
Tailoring for her — the long line, restrained.