Leather Jackets

A small run of leather jackets cut for movement and built to outlive the season. Soft-shouldered, hand-finished, broken in by the wearer not the workshop.

Two- and three-piece tailoring cut on the House block — softer in the shoulder, longer in the line, finished by a single hand. Each suit is built to be lived in, not displayed.

Long-sleeved poplin, soft-collared oxford, the popover for the holiday week — shirts cut to disappear under a jacket and to live alone on a Saturday. Washed once before it leaves the studio.

Wide-leg worsted, drawstring twill, a five-pocket cotton drill — trousers built around the leg first and the room second. No announcement, just a clean fall to the hem.

One length of vegetable-tanned bridle, one solid brass tongue, edges burnished by hand. Belts made to outlast every trouser they join.

Boots, loafers, and oxfords chosen to close the line of the outfit. Polished leather, narrow waists, and silhouettes that sit clean beneath suits, agbada, native, and the off-duty trouser.

Three-piece agbada cut on the House block — flowing line, restrained ornament, fabric that holds its weight. Drawn for the long room and the slow walk.

Senators and kaftans drawn through the House lens — long shirt, tapered trouser, mandarin collar. The native pieces you reach for on the days that aren't quite ceremony.

Knits, easy shapes, the pieces you reach for on the days you do not have to choose. Soft-shouldered, slow-washed, built for the room you wake up in.

Eau de parfum built like a private library: amber, oud, blue mineral, green wood, and the quiet house signature. Bottled in small runs for the room before the garment.