the photographed catalogue
The House Edit is the working catalogue: every piece photographed in the studio, cut in small runs, and written from the actual cloth on the rail.
Each study in the index is pulled from the photographed catalogue and regrouped by how the pieces are actually worn together.
the photographed catalogue
The House Edit is the working catalogue: every piece photographed in the studio, cut in small runs, and written from the actual cloth on the rail.
jackets, belts, and the grounded uniform
Leather jackets drawn as daily pieces, then steadied with the shirt, trouser, and belt that let them disappear into the week.
soft suiting for the long day
The House block in full: soft shoulders, longer lines, real shirts, real belts, and trousers that keep the suit moving instead of posing.
agbada, senator, and the dressed line
Traditional silhouettes through the House lens: long-room agbada, working senators, and the few accompanying pieces that finish the walk.
knits, easy trousers, and the quieter layer
The pieces reached for without ceremony: soft knits, washed cotton, the five-pocket trouser, and the leather layer that keeps the room warm.
library perfumes and the quiet house signature
A fragrance study pulled from the library table: solar amber, oud, mint, blue mineral, green wood, and the clear signature of the house.
6 studies. One photographed catalogue.